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Yup, lame-ass name for a
Kotaku-style review, but please, do read on.
Before we get to the actual review, let me just say that I am a Pixar loyalist and that other computer-animated features out there are already "inferior" in my book -- there, I said it. But Bolt surprised me in so many ways that it made me reconsider my stance against the "other" CG film outfits (I've pretty much written out Disney and Dreamworks Animation for all the unspeakable crap they've released). This could be a step in the right direction, and I'm hoping they can keep it up.
Loved:+ LMAO: There are so many laugh-out-loud moments in Bolt, and most of them fortunately don't involve some lame pop culture references or fart-jokes (I'm looking at you,
Madagascar and
Shrek). Funny stuff doesn't need props and other fluff, it just needs to be funny. LOL @ superbark and laser vision.
+ Ample servings of 'aww': Sentimental stuff is sometimes a requirement in animated films -- they're the depth and hook to break the spectacle. Bolt doesn't fail in that category, but its 'aww' moments didn't feel forced. They're actually good breaks from everything that's happening in the movie; it's a very wise decision to spare a moment or two to stop and just enjoy the ride.
+ Bolt is not revolting to look at: Sure, it doesn't match
Ratatouille or
Wall-E technically, but Bolt still looks fantastic. It's just miles and miles ahead of other Disney CG films (
Chicken Little and
Meet the Robinsons, specifically). Its action sequences rival those of
The Incredibles, and even the simple scenes capture the moment perfectly. The folks at Disney made some truly great strides compared to their older, technically 'meh' titles.
+ Those damn pidgeons are hilariously retarded: No details, sorry. :-)
+ 3 is fine, damn it! At first I was expecting a menagerie -- you know, like
Over the Hedge and
Open Season -- but I'm glad they stopped at number 3 because that's all the story needs. Bolt, Mittens, and Rhino all have something
substantial to add to the movie, and it makes for a good laugh during the journey. Future animal-based CG films can learn from
Bolt (I know there'll be lots more, 'cause they haven't made something about platypuses yet).
+ This movie made me like John Travolta and Miley Cyrus. Just a bit. Both did a pretty good job in the movie, especially Travolta as the brave-but-clueless dog Bolt. The voices behind Mittens and Rhino did an impressive job as well.
Hell, even the official song sounds fine.
+ Bolt has Pixar written all over it: This is probably due to John Lasseter executive producing the film. I've read somewhere that he basically reviewed all in-production films from Disney, and
Bolt (along with
Meet the Robinsons) were the first ones that received major revisions. The "touch" is more prominent here, and Bolt almost seems like it would fit well in a pre-
Nemo Pixar.
Hated:- A solid but predictable plot: Dog gets lost, dog returns to his master -- that's it. And really, you've seen this a hundred times already. Good thing there's this Truman Show-Buzz Lightyear angle which kept the plot engaging, otherwise it would've been a painfully predictable affair.
- Human characters are either boring or annoying: Penny, Bolt's master (or 'person'), has about half of the canine's personality, Penny's agent is a waste in film time (the only time he's actually "essential" to the story is just a few minutes before movie ends), and everyone else are just bland background people.
- [SEMI-SPOILER] Bolt's realization and reaction that he's not really a superdog is a bit weak: Buzz Lightyear took it worse (or, uh, better!) than Bolt. For someone who realized that his entire existence/purpose is a lie, Bolt sure took it disappointingly well -- like in an "Oh, alright then!" kind of way. Or maybe he just has a secret Super Emotion-control power, so who knows?
- Bolt has Pixar written all over it: I know more good than bad will come out of this Disney-Pixar merger and we're just seeing a few signs of this great mix of creative forces, but I'm afraid that the Disney part could ultimately lose its identity. Ironic, since they started this whole animated feature thing in the first place. Pixar is the current king of animated features, and when you pair it up with a studio that is way past its golden years, you know who's going to come out on top.
(Prediction: Bolt will be one of the Best Animated Feature nominees in the next Academy Awards. It has a very slight chance of winning, but Wall-E would probably get the award.)